Norwegian 1863-1944 Edvard Munch Locations Edvard Munch (pronounced , December 12, 1863 ?C January 23, 1944) was a Norwegian Symbolist painter, printmaker, and an important forerunner of expressionistic art. His best-known composition, The Scream is one of the pieces in a series titled The Frieze of Life, in which Munch explored the themes of life, love, fear, death, and melancholy. Edvard Munch was born in a rustic farmhouse in the village of Adalsbruk in Loten, Norway to Christian Munch, the son of a prominent priest. Christian was a doctor and medical officer, who married Laura Cathrine Bjølstad, a woman half his age, in 1861. Edvard had an older sister, Johanne Sophie (born 1862), and three younger siblings: Peter Andreas (born 1865), Laura Cathrine (born 1867), and Inger Marie (born 1868). Both Sophie and Edvard appear to have gotten their art talent from their mother. Edvard Munch was related to painter Jacob Munch (1776?C1839) and historian Peter Andreas Munch (1810?C1863). The family moved to Kristiania (now Oslo) in 1864 when Christian Munch was appointed medical officer at Akershus Fortress. Edvard??s mother died of tuberculosis in 1868, as did Munch's favorite sister Johanne Sophie in 1877. After their mother's death, the Munch siblings were raised by their father and by their aunt Karen. Often ill for much of the winters and kept out of school, Edvard would draw to keep himself occupied. He also received tutoring from his school mates and his aunt. Christian Munch also instructed his son in history and literature, and entertained the children with vivid ghost stories and tales of Edgar Allan Poe. Christian??s positive behavior toward his children, however, was overshadowed by his morbid pietism. Munch wrote, ??My father was temperamentally nervous and obsessively religious??to the point of psychoneurosis. From him I inherited the seeds of madness. The angles of fear, sorrow, and death stood by my side since the day I was born.?? Christian reprimanded his children by telling them that their mother was looking down from heaven and grieving over their misbehavior. The oppressive religious milieu, plus Edvard??s poor health and the vivid ghost stories, helped inspire macabre visions and nightmares in Edvard, who felt death constantly advancing on him. One of Munch's younger sisters was diagnosed with mental illness at an early age. Of the five siblings only Andreas married, but he died a few months after the wedding. Munch would later write, "I inherited two of mankind's most frightful enemies??the heritage of consumption and insanity." Christian Munch??s military pay was very low, and his attempts at developing a private side practice failed, keeping his family in perrenial poverty. They moved frequently from one sordid flat to another. Munch??s early drawings and watercolors depicted these interiors, and the individual objects such as medicine bottles and drawing implements, plus some landscapes. By his teens, art dominated Munch??s interests. At thirteen, Munch has his first exposure to other artists at the newly formed Art Association, were he admired the work of the Norwegian landscape school, and where he returned to copy the paintings, and soon he began to paint in oils.  Related Paintings of Edvard Munch :. | Spring | Self-Portrait | Spring | Vampire. | Summer Night |
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Franz Roubaud
was a Russian painter who created some of the largest and best known panoramic paintings. Roubaud was born on 15 June 1856 in Odessa and attended an art school there. In 1877 he went to Munich, where he studied at the Munich Academy. He then settled in Saint Petersburg, working in the Imperial Academy of Arts and painting huge panorams of historical battles - Storm of Achulgo (1896, Tiflis, now under the restoration in the museun of graphic arts in Makhachkala), Siege of Sevastopol (1854) (unveiled in 1905, damaged during the Siege of Sevastopol (1942), restored in the 1950s), Battle of Borodino (1911, moved to Poklonnaya Hill in Moscow in 1962) and the Russo-Persian War (1804-1813). His works were so large that they had to be exhibited in pavilions specially built for that purpose. In 1913, Roubaud left Russia for Munich, where he died on 13 March 1928.
ASAM, Cosmas Damian
German Baroque Era Sculptor, 1686-1739 Bavarian architects and decorators. After studying in Rome (1711 ?C 13), Cosmas Damian became a prolific fresco painter, and his brother, Egid Quirin, became a sculptor and stuccoist. They developed the effects of dramatic lighting and illusionism originated by Gian Lorenzo Bernini and Andrea Pozzo. Working as a team, they produced magnificent illusionistic decoration in ecclesiastical buildings, combining dramatic lighting and colour. Their works are notable for their profound and dramatic intensity of religious feeling. The brothers became the principal late Baroque exponents of illusionist decoration in religious architecture. Their most notable collaboration is the church of St. John Nepomuk in Munich (1733 ?C 46) ?? known as the Asamkirche in honour of the brothers.
Samuel Howitt
English, 1756-1822,was an artist from England. Samuel Howitt was born into a wealthy Quaker family in Nottinghamshire, England. He began painting as a hobby and to amuse his friends. Hunting and racing were his hobbies and he mimicked this interest in his work. Howitt's family experienced financial difficulties, so Howitt decided to move to London. In London, Howitt made a career out of his talent, flourishing as a professional artist. He was published often in The Sporting Magazine and went on to illustrate various books. Howitt is best known for his lively and exotic sporting scenes. His superior watercolors and aquatints depict dramatic racing and hunting scenes as well as an array of conventional and exotic animals. Howitt's work is included in the Mellon Collection, which possesses no fewer than 160 of his watercolors, and many of his aquatints. Howitt exhibited at the Royal Academy and illustrated several books, including his own entitled The British Sportsman c.1812 and British Preserve c.1824. Samuel Howitt, "genius, artist, sportsman", concentrated his considerable artistic talents on picturing scenes of horse-racing and hunting in all its aspects. Born in Nottinghamshire, England, Howitt was largely self-taught ,"although he must have been helped by his companions George Morland, Rowlandson and John Raphael Smith. Howitt's watercolours of hunting, shooting and racing have delightful spontaneity.